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P-Cug (Coimbra) Biblioteca Geral da Universidade MM 026

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P-Cug (Coimbra) Biblioteca Geral da Universidade MM 026

Archive: 
P-Cug (Coimbra) Biblioteca Geral da Universidade
Shelf-mark: 
MM 026
Siglum: 
P-Cug MM 026
Subcategory of book: 
Polyphonic choirbook
Category: 
polyphony
Completeness: 
complete or nearly complete
Document type: 
manuscript
Origin: 
Monastery of Santa Cruz, Coimbra
Main place of use: 
Monastery of Santa Cruz, Coimbra
Provenance: 
Monastery of Santa Cruz, Coimbra
Date: 
early 17th century
Cursus: 
unknown
Contents: 
Music for Lent and Holy Week: Motets, Passions, Responsories for Tenebrae, Misc.
Material: 
paper
Bindings: 
Old, not original, covers of brown blind-tooled leather over boards added during rebinding between 1937 and 1941. This has severely disrupted original collation
Foliation/Pagination: 
ii + 63 + ii
Watermarks: 
Four paper types identified (Rees 1995, pp. 373-74; 385-96), showing 4 watermarks. Watermark 1 similar to Briquet #7576
Page layout: 
Choirbook format
Type of notation: 
Mensural (white)
Decoration: 
Edges of folios have red colouring similar to P-Cug MM 25 Black calligraphic initials; rubrics in red ink.
Inscriptions and marks: 
Many items headed with inscriptions denoting festal/ liturgical occasion in red ink (first half of MS, up to and including the first Passion (St Matthew) setting) and black ink (the remainder). (F.72V): Annotations + inscription in formal hand: 'Cantemus domino canticum nouum sicut cantaban patres / nostri in gaudio et exultatione qui laetitia'
Remarks: 
Original ink foliation (illegible where folios have suffered corrosion), from f. 7r. Folios 1-6, 17, 29, 42, most of f.43 are missing (cf Rees 1995, p. 205). Last original fol. found in box of fragments by Rees. Modern pencil foliation, 1-14, 14-33, 35-62; last folio unnumbered. Two men responsible for compilation of manuscript who closely collaborated (cf Rees 1995, p.208). Scribal work suggests that some of the music might have been composed by Pedro de Cristo; this is also suggested by stylistic analysis of the pieces. Text of second Passion (St Matthew) setting (f.43r seq.) written in red-brown ink. Indexation in PEM is from Rees's reconstruction of Inventory based on the original ordering of folios, and not according to modern sequence and folio numeration. (In its current form, a number of folios are in wrong positions, and sections of manuscript have become separated.)
References: 

REES, Owen, Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra, New York & London: Garland, 1995, pp. 205-11, 373-74, 395-96

Submitted by Bernadette Nelson — Tue, 2013-04-30 00:20

Monophonic items

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Fol Feast Incipit
067r Amavit eum dominus
067v BD Benedicamus domino

Polyphonic items

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Fol Incipit Composer
007r Qui tollis (Agnus D... 4 Anonymous Ag
007v-009r Ductus est Jesus 4 Anonymous Mo
009v-010r Assumpsit Jesus 4 Anonymous Mo
010v-012r Erat Jesus 4 Anonymous Mo
012v-014r Satiavit dominus 4 Anonymous Mo
014v-016r Dicebat Jesus 4 Anonymous Mo
015v + 016v + 018r [Textless] 4 Anonymous
018r [Textless fragment] 2 Anonymous
018v-019r Thesaurizate vobis 4 Anonymous
019v-021r In monte Oliveti 4 Anonymous R
021v-023r Tristis est anima m... 4 Anonymous
023v-025r Amicus meus 4 Anonymous R
025v-028r Eram quasi agnus 4 Anonymous R
028r [Textless fragment] 2 Anonymous
028v + 030r Omnes amici mei 4 Anonymous R
030v-032r Tanquam ad latronem 4 Anonymous R
032v-034r Tradididerunt me 4 Anonymous R
034v-041v Non in die festo 4 Anonymous Pa
043r-047r Non in die festo 4 Anonymous Pa
047v-052r Ubi vis paremus 4 Anonymous R
052v-054r Ecce videmus 4 Anonymous R
054v-056r Judas mercator 4 Anonymous R
056v-058r Unus ex discipulus 4 Anonymous R
056v-058r Unus ex discipulus 4 Anonymous R
058v-060r Una hora 4 Anonymous R
060v-062r Velum templi 4 Anonymous
062v-064r Seniores populi 4 Anonymous R
064v-065r O vos omnes 4 Anonymous R
065v-066r Jerusalem surge 4 Anonymous R
068v-072r Gloria laus et hono... 4 Anonymous H

    

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